CURRENT PROJECTS

One Day You will be like Her, Southwestfolklife.org

No Song for the Half-Breed, Terrain.org

Introduction to the Special Issue: Extinction, Sonora Review

Passing and Privilege: White Male Aspiration in the Age of the Loser and the Mass Murderer, The Good Men Project

Coerced Intimacy is not just “Bad Sex.” Tucson.com

White Beauty: At Home and Abroad, The Feminist Wire

Originally Amalia, The Feminist Wire

The Experience of a Woman in India Revisited: The Many Dimensions of Misogyny, CNNireport

Reviews & Interviews

Interview with Playwright, Screenwriter, and Novelist Colette Freedman, Lunch Ticket (forthcoming)

Music and Hate: A Conversational Interview, Notes on the Study of Hate (forthcoming)

An Ode to Lynch and Los Angeles: Bobbi Jene Smith Reflects on Her Two-Year Residency with LA Dance Project, Flaunt.

Interview with Lynn Ferguson, Lit Cit Podcast

LA Dance Project, Cultured

How Jessica Faleiro’s “The Delicate Balance of Little Lives” is an Ode to Women, Kitaab.org

Academic Publications

“The Me Too Movement in India and the US.” In W. Simmons (Ed.) Human Rights Conversations. New York, NY: Routledge. In preparation.

Review of “Sweet Tassa: Music of the Indian Caribbean Diaspora,’ directed by Christopher L Ballengee." Ethnomusicology, Vol. 66, No. 1, 2023

Review of “Sounds of Vacation: Political Economies of Caribbean Tourism,” edited by Jocelyne Guilbault and Timothy Rommen, 2019, MUSICultures, Vol.19, 2020

Music and War. SAGE Journal of Music and Culture, Vol. 19, 2019

Where the River Meets the Sea: Music Tourism and the Production of Westernness, Ethnomusicology Review, 2014, Vol. 21

Academic Webinars

Understanding & Mitigating Hate Against Women and Girls, UCLA Women & Philanthropy

Selected Media Interviews

On theatre, Arizona Public Media, NPR

On gender-based violence, Arizona Public Media, NPR

On catcalling as oral tradition, Borderlore

WRITING

Karenne Koo is the founder of DanceSequences, an inclusive dance company based in Tucson, Arizona. Here, she discusses working with various groups whose bodies are often considered damaged, weak, or easily exploitable, and the healing potential of even the smallest movement.

DANCE AND HEALING PROJECT PREVIEW